Showing posts with label The Kooks. Show all posts
Showing posts with label The Kooks. Show all posts

Saturday, March 03, 2012

The Kooks at the Fox Theater in Pomona

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The Kooks have long held my attention since their debut at Spaceland back in 2006. Six years later, The Kooks are touring behind their third album Junk of the Heart and selling out much larger venues playing to more fanatical fans. A tremendous line of patrons snaked around the Fox Theater in Pomona eager to secure a spot on the rail.

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A row of risers dominated the front of the stage as a deafening roar of female screams cascaded around the theater upon the dimming of the lights. Stuttering drums careened into the pattern of "Is It Me?" as lead singer Luke Pritchard energetically engaged the crowd by jumping onto the risers. "Always Where I Need To Be" had the crowd bouncing and singing along kicking things into a higher gear.

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Hugh Harris peeled off the sizzling guitar riff for "Down To The Market" flawlessly and I was impressed with his overdriven guitar tones. Switching to acoustic guitars, "Rosie" was propulsive with its cyclical guitar riff. Older songs had a large impact on the audience as the sing along for "She Moves In Her Own Way" was massive. The Kooks seemed to have tweaked some of the songs for live purposes as "Sway" was as electric as a downed power line.

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"Runaway" had an undulating electronic beat beneath the two pronged acoustic guitar attack as Harris would later tweak his guitar pedals for some squeals of feedback. Slashing guitars mimicked lightning strikes for "Stormy Weather" as Peter Denton rumbled away on his Fender bass. Another live modification was the increased tempo of "If Only" as it seemed that Pritchard was almost rapping the lyrics.

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Pritchard would display his acoustic guitar skills for "Seaside" as he performed the song by himself on top of the risers. Harris would momentarily set aside his guitar for a turn on the piano for "How'd You Like That". A snappy bass line and the plinking piano melody of "Mr. Nice Guy" reminded me of something The Smiths would have performed.

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Floating notes from a mellotron were keyed by Harris for "Shine On" as the crowd still sang along at a high volume. "Do You Wanna" closed out the main set as the cheers for the encore never wavered. "Junk of The Heart" and "Naive" brought the proverbial house down as the Kooks have grown by leaps and bounds since their first stateside tour stop at Spaceland nearly six years ago. Surprised Coachella didn't add them to the bill.

Yawn
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Milo Greene
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In the support department, Yawn hailing from Chicago entertained the crowd with a hybrid Animal Collective, Yeasayer, and Vampire Weekend kaleidoscopic electronics.  After a well received residency at the Satellite, Milo Greene easily won over the crowd with an energizing performance with multiple members taking a turn on vocals and switching instruments to keep their music fresh.

Friday, October 31, 2008

The Kooks at the Hollywood Palladium



Luke Pritchard (Vocals/Guitar) sounded like he fully recovered from a respiratory infection that forced The Kooks to cancel their in-store performance at Fingerprints records when I saw their show at the House of Blues Anaheim. I was interested to see how they would sound at the newly redesigned Hollywood Palladium.

The Whigs






It was the final night of tour for the combination The Whigs and The Kooks. The Whigs will be joining the Kings of Leon for a batch of East coast dates before bringing in the new year in their hometown with Band of Horses.

A paperplate made for a makeshift setlist at the feet of Tim Deaux(Bass) as they opened up their set with "Violet Furs". The Whigs were even tighter on this particular night as they blasted through "Like A Vibration" and "Technology". Parker Gispert (Vocals/Guitars) later got behind his Yamaha keyboard for "Nothing Is Easy" while Tim picked up a Fender Telecaster. "Already Young" was the standout track of the night as Parker crossed over into the realm of Nirvana as he sounded similar to Kurt Cobain. I also noticed the acoustics in the Palladium have dramatically improved as The Whigs sounded pristine.

The Kooks






I have to give credit to Live Nation in their redesign of the Hollywood Palladium. The vibe has transformed to that of the Wiltern with LCD screens by the bars and a much tidier appearance. I also wasn't strip searched when I entered the Palladium which was a good thing. The Palladium also installed some foam in the ceiling to improve the acoustics which used to be another reason not to go to the Palladium. I hope they fixed the plumbing that caused the cancellation of the Morrissey shows in October of last year.

The Kooks always come out with their guns blazing as they tore into "Always Where I Need To Be" which they later played on the Jay Leno show the next night. Hugh Harris (Guitars) continues to dazzle me with his playing skills as his solo for "Ooh La" was wiry tight. Hugh later used a lighter as a slide for "I Want You" for some bluesy feedback. The crowd was singing along for "She Moves In Her Own Way" as Hugh methodically fingerpicked the notes while engaging his Boss Octave pedal.

Luke mentioned that when they started the band the goal was to make people dance as he succeeded by playing "Do You Wanna" with its hi-hat shuffle. Tim from The Whigs came out to assist during "Shine On" as Luke gave him a hug to thank him for touring together. The encore came too quick as Luke and his acoustic guitar played "Seaside" and "Princess of My Mind". Hugh came out for "See The Sun" and added some background vocals. "Sofa Song" delighted the female fans in the front as Luke came down to the rail and went quite far into the crowd barely missing a note as he sung. The Kooks will finish up their tour supporting Konk in Japan and the rest of Europe.


The Kooks setlist at the Hollywood Palladium (10/28/08)
"Always Where I Need To Be"
"Matchbox"
"Eddie's Gun"
"Ooh La"
"Sway"
"Time Awaits"
"I Want You"
"One Last Time"
"She Moves In Her Own Way"
"Mr. Maker"
"Do You Wanna"
"Naive"
"Shine On"
"See The World"
"You Don't Love Me"
"Seaside"
"Princess Of My Mind"
"Jackie Big Tits"
"See The Sun"
"Stormy Weather"
"Sofa Song"

Wednesday, October 29, 2008

The Kooks at House of Blues Anaheim



The kids in Anaheim are alright. It was a sold out show at the House of Blues Anaheim, as The Kooks made their first appearance in Orange County touring behind their second album Konk.

The Whigs





It was going to be an early night as The Whigs hit the stage close to eight o'clock. Mission Control is their latest album and a southern fried blast of rock. Their songs held up well in the stripped down format when I saw them at Fingerprints Records the day before.

"Technology" from their debut album Give 'Em All A Big Fat Lip played twice as fast as the recorded version jump started the audience. Parker Gispert (Vocals/Guitars) had his Gibson hollowbody guitar wailing away as they rambled through the foot tapping jam of "Like A Vibration". Tim Deaux (Bass) was adding background harmonies while plowing away on his Gibson SG bass. Julian Dorio (Drums) had his mop of long hair whipping throughout the whole set as he throttled his drum kit.

The younger leaning crowd seemed to appreciate their set hard driving set, but Parker did get quite a response when he asked the crowd if they were ready to see The Kooks. "Need You, Need You" had some screaming guitar octaves and jangling chords that slightly reminded me of Nirvana. The sound was mixed well at the House of Blues and the floor became really crowded as The Whigs closed out their set.


The Kooks







It has been a busy year for The Kooks. I caught them earlier this year at the Wiltern, House of Blues San Diego, The Echo and the Troubadour. They have come a long way since I saw them at Spaceland two years ago.

The Kooks wasted no time getting everyone dancing as Hugh Harris (Guitars) hammered out the chords to "Always Where I Need To Be". A line of females was permanently glued to the front rail with their eyes fixed on Luke Pritchard (Vocals/Guitars). It so happened that I ran into the same girls who attended the House Of Blues San Diego in which Luke dedicated a song to them.

"Sway" had Luke switching to a mini acoustic guitar that sounded twice as big as its size while Hugh was operating on his Gibson gold top. Paul Millard (Drums) was all business in his suit and tie on the drums filling in for Paul. "Time Awaits" was rearranged when the Kooks slowed down the tempo mid song before kicking it up a notch for a guitar feedback outro. Luke had a capo on the 7th fret during "One Last Time" as Hugh was crouched over his pedalboard concentrating on playing the quick guitar fills.

A few lighters popped up in the crowd during "Seaside" as Luke was on stage by himself for the encore. Luke deviated from the printed setlist as he offered up a new tune entitled "Princess of My Mind" in which he employed a capo on the 4th fret. The crowd tried in vain to have Luke sing "California" which is an older B-side that he could barely remember by singing only a few lines. "Sofa Song" brought the house down as Luke jumped into the crowd in front of the barricade as even the people upstairs were caught dancing along. I would say the Anaheim crowd was Konked after the end of their set.

The Kooks setlist at the House of Blues Anaheim (10/27/08)

Wednesday, May 28, 2008

The Kooks at the Wiltern


The line of fans snaked around the Wiltern going well past the Denny's as The Kooks and The Morning Benders traveled up the coast to play another sold out show. Both bands sounded great at the House of Blues San Diego and I had even higher expectations for this particular show as the Wiltern usually sounds great.

The Morning Benders






It is hard to believe that this was the tenth time I have seen The Morning Benders since I originally caught them at the Viper room in November of 2007. The Morning Benders continue to impress me every time I see them live. Chris Chu (Vocals/Guitars) had an aura of confidence surrounding him as he charged through "Loose Change". The Morning Benders played a similar set but I have to mention that "Patient Patient" may have surpassed "Damnit Anna" as my favorite Morning Benders song. The Los Angeles crowd reacted just as strongly as the night before in San Diego and I honesty wasn't surprised. I can't recommend their debut full length album Talking Through Tin Cans any higher as it will finish in my top 10 releases of 2008.


The Kooks






The Kooks have deftly avoided the sophomore slump with the release of new album Konk. "Mr. Maker", "Do You Wanna" and "Sway" are some of my particular favorite tracks on the album. I also recommend you pick up the bonus disc version that has an extra nine tracks. As much as I love catching shows in San Diego, The Kooks kicked into another gear for the Los Angeles crowd as the pit at the Wiltern was actively moving and dancing around. Luke Pritchard (Vocals/Guitars) fed off the energy from the crowd as he frantically paced the stage. The setlist for this show was similar to the House of Blues San Diego show but I wasn't complaining as it was a good mix of old and new material. The white screen behind the band changed colors throughout the evening to add a striking visual element to the auditory delights of the night. Dan Logan (Bass) has done an admirable job replacing Max Rafferty as if he has been playing with the band since its inception. "Shine" was the highlight of the night with a good majority of the crowd singing along. Luke's acoustic encore resonated with the crowd as he managed to make the Wiltern as comfy as the Troubadour with his demeanor. I hope you have tickets when they hit your town because the venues are only going to get larger.

Tuesday, May 27, 2008

The Kooks at the House of Blues San Diego


The Kooks kicked off their U.S. tour at the House of Blues San Diego in grand style with the help of The Morning Benders. I was excited to see the bands in action again as I previously reviewed and enjoyed both bands at the Troubadour and Echo.

The Morning Benders






After recently catching their successful record release party at the Echo, I was curious to see how The Morning Benders would fare in front of a larger audience thirsty for the Kooks. The Morning Benders quenched the thirst of the audience with a hearty selection of tunes from Talking Through Tin Cans. The House of Blues soundsystem was in perfect tune with The Morning Benders as the mix was simply majestic. "Crosseyed" had a slower then usual intro before quickly picking up speed. The Rhoades keyboard was loud and clear for a bouncy version of "Boarded Doors". I heard some girls behind me debating about which band member was cuter during "Grain of Salt". The Morning Benders breezed through their set like touring veterans, as I felt sorry for their merch guy who was swamped at the end of their set. The snowball effect continues to amplify the buzz for the Morning Benders.

The Kooks






It didn't take long for the chants of "The Kooks" to start from the balcony of the House of Blues. It started to feel like a sold out show as the floor was completely packed and the crowd was anxiously waiting. The slashing chords of "Always Where I Need To Be" kicked of their set as the crowd started jumping up and down near the front of the stage. Luke Pritchard (Vocals/Guitars) was thoroughly enjoying the larger stage as he often walked back and forth while dancing around. The Kooks wisely arranged their setlist by alternating new and old songs into the mix. Hugh Harris (Guitars) had his trusty Gibson hollowbody guitar firing on all cylinders as he demonstrated his advanced guitar wisdom. Luke switched to an acoustic guitar for a lush version of "Sway" from their new album Konk. Luke dedicated "See The Sun" to a trio of girls up in the balcony as all three were wearing matching new Kooks shirts. Paul Garred (Drums) was a madman behind his drum kit with cymbals consistently moving. Hugh also impressed me when he went behind the keyboards for "Shine" as their roadie filled in with some acoustic guitar. Luke came back out by himself with an acoustic guitar as he tackled "Seaside" and "Jackie Big Tits" to the delight of the crowd. I was glad I had a ticket to the next night at the Wiltern.

The Kooks setlist at the House of Blues San Diego
"Always Where I Need To Be"
"Matchbox"
"Eddie's Gun"
"Ooh La"
"Time Awaits"
"One Last Time"
"I Want You"
"She Moves In Her Own Way"
"Mr. Maker"
"See The Sun"
"Do You Wanna"
"Naive"
"Shine On"
"See The World"
"You Don't Love Me"
"Seaside"
"Jackie Big Tits"
"Stormy Weather"
"Sofa Song"