Showing posts with label Blonde Redhead. Show all posts
Showing posts with label Blonde Redhead. Show all posts

Tuesday, July 05, 2011

Blonde Redhead at the El Rey Theatre

blonde_redhead-el_rey_theater_ACY7213
Penny Sparkle was one of my favorite releases from 2010. Blonde Redhead continue to modify and adapt their musical style while retaining their characteristic sound. The album is chock full of oozing synthesizers floating over sparse shimmery guitars. Touring for close to a full year, I previously caught Blonde Redhead at the Music Box for two nights (Night 1 and Night 2) and at the Glass House.


Bass Drum of Death
bass_drum_of_death-el_rey_theater_ACY5712
bass_drum_of_death-el_rey_theater_ACY5678
bass_drum_of_death-el_rey_theater_ACY5770

It is gutsy to call your band Bass Drum of Death and not include a bass player. But these boys from Mississippi knew how to kick out the jams utilizing a twin fuzzed out guitar attack supported by rapid fire drums to amuse the audience. Their debut album GB City was released by the venerable Fat Possum label barely clocks in over thirty minutes.

The Luyas
luyas-el_rey_theater_ACY5953
luyas-el_rey_theater_ACY6049
luyas-el_rey_theater_ACY6058
luyas-el_rey_theater_ACY5964

The Luyas scored points just by busting out Moodswinger which is a 12 string zither that conjured ambient stacked overtones. Hailing from Montreal and using such eclectic instruments as the French Horn and a stack of analog synthesizers, it was difficult not think of Arcade Fire.

Lead singer Jessie Stein was absolutely delightful working through a batch of songs. Their latest release Too Beautiful To Work was added to my stack of albums that garner a closer look.

Blonde Redhead
blonde_redhead-el_rey_theater_ACY6676
blonde_redhead-el_rey_theater_ACY6743
blonde_redhead-el_rey_theater_ACY7259
blonde_redhead-el_rey_theater_ACY6466
The trademark red curtains of the El Rey Theatre pulled back as the haunting pads of "Black Guitar" soon ricocheted around the venue as Amedeo Pace traded vocals with Kazu Makino. Having been on the road for so long, Blonde Redhead were super tight and the sound was perfect.

Simone Pace's dexterous drumming superimposed on a skeletal electronic drumbeat hypnotized as "Here Sometimes" continued to seduce the audience. The winding staircase guitars of "Dr. Strangeluv" were entrancing as Makino swayed with the music.

Makino would grab her white Gibson Sg and assist Amedeo in the sonic department for "Spring and By Summer Fall". Whipping her hair around, Makino swayed in time to the dark keyboards and percussive beat of "Not Getting There".

Under the cover of dark blue light, "Spain" had the perfect combination of melting guitars and whirling keyboards. Amedeo used a whammy pedal for some deep guitar bends during "23" as Makino's vocals echoed. Makino would grab her Teisco six string bass for the Amedeo led vocals of "Falling Man".

"Silently" and "Penny Sparkle" closed out their encore which still didn't satisfy the crowd. The crowd desperately clamored for more, but having seen Blonde Redhead multiple times they always leave you wanting more.

Tuesday, November 23, 2010

Blonde Redhead at the Music Box

Blonde Redhead at the Music Box 11/17/10
It should be no surprise after seeing Blonde Redhead at the Glass House and the first night at the Music Box that I would return for one more helping. Penny Sparkle is a compelling synthesizer soaked new direction for Blonde Redhead that in the live format translated into aural enchantment.

blonde_redhead-music_box0457
A slow pulsating electronic beat kicked off "Black Guitar" as Amedeo Pace softly spoke the opening lyrics. Kazu Makino would take over vocal duties in the middle of the song as she swayed back and forth in a white mask with hair blonde extensions protruding from each side. Amedeo turned his attention to his Virus TI synthesizer for the swirling lushness of "Here Sometimes".

blonde_redhead-music_box0497
Interweaving "Dr. Strangeluv" into the set got the crowd moving as Makino grabbed her white Gibson SG to add sonic layers to Amedeo's refined guitar playing. Makino soon switched to bass for the ethereal "Love or Prison" that ended in a jazzy drum flurry by Simone Pace. Amedeo would return to the vocals and synthesizers for "Will There Be Stars" with Makino also behind a synthesizer.

blonde_redhead-music_box0981
Amedeo displayed more of his guitar talents for "In Particular" closing out the song by summoning a scratchy feedback storm to end the song. Urgent piano notes played by Makino wrapped themselves around Amedeo's vocals for "SW". Makino extended her vocal range for the dreamy "Spain" which slithered in the smoke coming from stage.

blonde_redhead-music_box0867
"My Plants Are Dead" maybe the most minimalist track on the new album but somehow manages to be my favorite song with small musical hooks appearing at the precise moments. Makino would don her mask again for "Penny Sparkle" to close their main set. "23" was a perfect selection for during their encore with its propulsive beat. Covering three nights of Blonde Redhead was definitely worth it and I'm guessing they will come back for a Coachella appearance.

Sunday, October 28, 2007

Vegoose Day 1 at Sam Boyd Stadium

Daft Punk







Daft Punk is an experience. I can try and describe it to you but it doesn't do it justice. Anyone in attendance at the Los Angeles Sports Arena will tell you that their life was changed after seeing Daft Punk. I would write out the setlist for this show but Daft Punk combines elements of their songs and blends them together making it difficult to describe. They started out with "Robot Rock" and transitioned over to "Technologic" while dropping "Around The World" in and out of the mix. "Brainwasher" was also incorporated into the set effectively living up to the title of the track. The intimacy of the sports arena was missed but the performance and energy was similar. Daft Punk did switch up their set and played different parts compared to the Los Angeles set. Daft Punk's performance alone made the trip to Vegas worth it.

Queens Of The Stone Age




Queens of the Stone Age have come a long way since I saw them at the Troubadour touring on their first album. As a fan of Kyuss, I always admired Josh Homme's guitar playing. I never would have figured they would gain as much popularity as they have now. Their latest album "Era Vulgaris" showcases Josh's sludgy riffs and his smoky vocal style as they pound you over the head with tracks like "Battery Acid", "3's and 7's" and "Sick, Sick, Sick". I admit I was stoked to hear them play "Regular John" and "Avon" from their first album. I also found it ironic to see Troy Van Leeuwen on stage because it meant I saw all the members of Failure within the span of a week.

Iggy Pop And The Stooges




Iggy Pop is a living legend. Iggy Pop and The Stooges performed the classic album "Fun House" in its entirety. Mike Watt (Bass) was filling on bass and watching Iggy jump all over stage and on top of the speakers. Iggy even had a staircase built in front of the stage so he could go down and interact with the audience. I am surprised that he didn't just stage dive down into the crowd. Iggy has more energy on stage then anyone I can think of. I wonder if Johnny Rotten(Sex Pistols) has the same amount of energy these days.

Public Enemy





I am sure most of the kids know Public Enemy today due to Flavor Flav's reality show. I remember Public Enemy from the Less Than Zero Soundtrack which included the track "Bring The Noise". Public Enemy are mavericks of the rap genre. I made sure to catch some of their set and didn't spot any members of Anthrax on the side of the stage for a guest spot on "Bring The Noise". I am sad that I missed "911 Is a Joke". My friends said they put on one of the better sets of the day.


Cypress Hill





Cypress Hill doesn't need an introduction. "Hand On The Pump" still sounds just as fresh now as it did sixteen years ago. B-Real still has the skills with his chracteristic vocal style that is complemented well by Sen Dog. I am still wondering if B-Real and Stephen Carpenter from the Deftones will ever release the material they recorded for a rumored side project a few years ago.


MIA



MIA had the audience in the palm of her hand from the second she came out. It made everyone forgot about the delay in getting her turntables and laptop setup. MIA was traversing the stage and getting the crowd into a groovy mood. I could have sworn I heard her incorporate a New Order song into her mix. If you sample New Order, you will get my attention.


Battles




Battles played early and if you didn't get there you missed out. Tyondai Braxton (Vocals/Guitars/Keyboards) quipped that he lost ten thousand dollars at the MGM the prior night. John Stanier (Drums) followed up Tyondai's remarks with a quick drum roll. I saw them at the Henry Fonda a few days after and still can't comprehend how they do it. "Atlas" was the standout track of their white hot set.

The Shins






"Wincing The Night Away" is one of the better album releases of 2007. The Shins have been touring quite extensively as I caught them earlier this year at the Orpheum Theatre and at the KCRW show. They played a lengthy set at Vegoose with a good sampling from their three albums. The Shins also managed to throw in a jaw dropping Pink Floyd cover of "Breathe". I was excited that I would see them again on Sunday night at the Joint in the Hard Rock Hotel.

Shins setlist in Las Vegas for the Vegoose Festival (10/28/07)
"Sleeping Lessons
"Kissing The Lipless"
"Mine's Not A High Horse"
"When I Goose Step"
"Caring Is Creepy"
"Turn A Square"
"Girl Sailor"
"A Comet Appears"
"Sea Legs"
"Girl Inform Me"
"Saint Simon"
"Gone For Good"
"Know Your Onion"
"New Slang"
"Australia"
"Turn On Me"
"Breathe"
"So Says I"
"Phantom Limb"


Blonde Redhead




I can't say enough good things about Blonde Redhead. I highly recommend you buy their album "23". I am so glad I caught them at the House of Blues San Diego, Sunset Junction, Glass House and the Wiltern Theatre this year.

Mastodon





Mastodon was one of the few bands that I have not seen live before. They did not disappoint as they kicked out their brand of doom sludge metal. I was drooling over Bill Kelliher's (Guitars) Gibson Les Paul Custom Silverburst guitar. It is the same guitar model that Adam Jones from Tool plays. Troy Sanders (Bass/Vocals) also got into the act with a silverburst bass. Mastodon played tracks of their album "Blood Mountain". It was pretty early in the day but Mastodon managed to keep it gloomy with their costumes and ear splitting performance volume coming from the stage. I need to see them headline their own show.

Gogol Bordello



Gogol Bordello shows are legendary. I have heard so much about how good their live shows were and the dynamic performance energy that Eugene Hutz(Vocals/Guitars) puts into every show. Euguene is so energetic that I had a difficult time choosing what photo I wanted to photo to post because every shot conveys a ton of emotion. It was really difficult to leave their set but I couldn't miss Battles. Gogol Bordello is touring in support of their album "Super Taranta".