Showing posts with label Key Club. Show all posts
Showing posts with label Key Club. Show all posts

Monday, November 15, 2010

Helmet at the Key Club

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How many times have I reviewed Helmet? This would be my thirteenth. As long as Page Hamilton continues to devastate with his trademark ESP guitar, I will be there. While the idea of fighting Sunset Strip traffic on a Friday night was daunting, I had to see Helmet's last show prior to their departure for a European tour.

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Seeing Eye Dog is Helmet's latest release and falls in line sonically somewhere between Aftertaste and Meantime. Helmet did an excellent job of mixing in new songs with older classics. "Swallowing Everything" kicked off their set that didn't relent. "Birth Defect" continued to stir the mosh pit with its blaring guitars and rock steady drumming by Kyle Stevenson.

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Helmet was energized playing their new songs like "So Long" and "Algiers" that doesn't stray from the classic Helmet formula of crushing your skull. A double blast of "See You Dead" and "Ironhead" had me watching my back as the circle pit had expanded to the front of the stage. Their new bass player Dave Case was dialed in to the band using his G&L bass to replicate Henry Bogdan's trademark bass sound.

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The inclusion of "Black Top" from Strap It On definitely appeased older fans with its sheer viciousness. Jagged knife sharp guitars continued with "Repetition", "Tic" and the set closing "Milquetoast" that had Hamilton adding some extra noise variations. "Crisis King" is one of my favorite songs from Aftertaste and sounded flawless for the opening of the encore. "Wilma's Rainbow" and "In The Meantime" perfectly closed the evening as the band will continue to tour in Europe.

Tuesday, December 02, 2008

Soulfly at the Key Club


A headbanging show with Soulfly was the exact recipe for burning off all the calories consumed during Thanksgiving. Soulfly is on tour in support of their new album Conquer which was released on Roadrunner Records. The Key Club was packed to the gills with a tribe of devoted Soulfly soldiers.

Incite






Incite from Phoenix, Arizona channeled the heat from their hometown with a mosh pit inciting set. Richie Cavalera (Vocals) stalked the stage as shredded his vocal chords during "Army Of Darkness". I would later discover that Richie is the stepson of Max Cavalera from Soulfly and has toured extensively with his father.

Incite lived up to its name by instructing fans in the mosh pit to flip off all the other fans in the back of the Key Club. Richie did mention they had a five dollar cd at the merch booth amongst the usual offerings of black t-shirts. I think this tour was sponsored by ESP Guitars as Incite's guitarist was playing a Kirk Hammett ESP, as it was only the beginning of a parade of ESP guitars to hit the stage.

Bleed The Sky






Bleed The Sky was representing Orange County as the Mission Viejo collective upped the ante with their hybrid industrial/futuristic metal. They recently must have been stoked to see their video on MTV's Headbanger's Ball and made sure to mention it during the show. Even though they are listed as a six piece band, Bleed The Sky had four members on stage doling out the punishment with tracks like "Murder Like Dance".

Noah Robinson (Vocals) showed off his sense of humor when he goaded the audience by asking them if they like Pantera. I immediately fell for the trap thinking they were going to play a Pantera song, but Noah was, "just checking". Austin D'Amond (Drums) hands down wins the craziest chest tattoo of the year award. Congratulations Austin.


Soulfly






My brother gets credit for discovering Sepultura when they released Beneath The Remains. I finally signed on during their tour for Arise when they opened for Helmet and Ministry in 1992. Max Cavalera (Vocals/Guitars) has a distinctive voice to match his guttural guitar tones. It is no surprise that Max is endorsed by ESP Guitars as he plays a custom model emblazoned with the Brazilian Flag on his ESP Viper. It should also be noted that Max doesn't do guitar solos and his guitar is strung with just four strings.

The chants for "Soulfly" bellowed throughout the Key Club as the pit in front of the stage was extremely congested. The legions of Soulfly faithful would proceed to go crazy as the chilling notes of "Blood Fire War Hate" suffocated the audience. The crowd would become unhinged during "Refuse/Resist" as captured by the picture at the top of the review.

Marc Rizzo (Guitars) was an ace in the riffage department. I remember him in his days with ll NiƱo when he often sported a backpack while shredding on the guitar. Marc might consider a role in Street Fighter with all the spinning jumpkicks he did during the show. In an Amateur Chemist first ever sighting, Marc busted out a Yamaha double neck guitar with one of the guitars being nylon stringed.

Soulfly went back to their album Prophecy to play the title track. I was hoping they would play their cover of Helmet's "In the Meantime" but had no such luck. Soulfly live has a habit of mashing their gigantic riffs together and would bleed songs into each other. One of the many highlights was when they dipped back to their second album Primitive for a searing version of "Jumpdaf*ckup".

Max unveiled a "Soulfly secret" when he stated the more we drank the better Soulfly would sound. I disagree because Soulfly sounded incredibly sharp. The evening would later culminate into a veritable greatest hits collection with Soulfly resurrecting "Troops Of Doom" from the Sepultura catalog, "Back To The Primitive" and another Sepultura gem "Roots Bloody Roots". The closing of "Eye For An Eye" ended with a vociferous crowd chanting the chorus alongside Max. My neck still hurts from the headbanging.

Tuesday, November 04, 2008

The Dears and The Secret Machines at the Key Club


Two bands with significant member changes appeared at The Key Club while promoting their new albums. The Dears recently released Missiles on Dangerbird Records, while The Secret Machines put out their third album Secret Machines.

The Bathroom Murders





The Bathroom Murders seemed to be a little out of place on the bill. I wasn't expecting screaming lyrics, distorted bass lines and glitchy keyboards. They label their music as grime, but it was more of a damaged art electro punk vibe. I was listening to The Dears on the way to the show, so my frame of mind was decidedly not ready for their confrontational set.

The Dears






A lush cascade of guitar swirls very reminiscent of the Doves filled the Key Club as The Dears took the stage. Murray Lightburn (Vocals/Guitars) strummed the translucent guitar chords to "Disclaimer" backed by ensemble of new band members. Murray and Natalia Yanchak (Keyboards) are the only remaining original members of The Dears.

The lyrics to "Money Babies" resonated as strongly meshed with its accompanying music as Murray emphatically sang "Our money is elastic". Murray's voice is definitely the centerpiece of all of their songs. In the live setting, Murray's voice shines brighter while being backed by bandmates. Laura Wills (Keyboards) and Natalia both had a Roland Fantom X6 keyboard in their setup but Natalia had a Nord Electro underneath the Roland keyboard. "Lost In The Plot" sounded as intricate as the recorded version while Murray had a death grip on the microphone stand as he sang.

The slow quiet intro to "Demons" later would ignite into a fiery guitar solo as the band exonerated the audience of their demons. Murray would later don the keytar for the bass notes of "Meltdown In A Major" to close out their set. Murray and the band were shaking hands with signing a few autographs as the cheers for an encore was silenced by the DJ spinning some more tunes. The new line up seemed to reinvigorate Murray and Natalia as evidenced by their gripping set.


The Secret Machines





The Secret Machines had their minute share of member changes as Ben Curtis (Guitars) moved on to form the School of Seven Bells. Ben has been replaced by Phil Karnats (Guitars). A large metal skeleton was setup to hold the elastic bands while creating their visually intriguing stark lines. The Secret Machines merch table had a bunch 3d glasses that were distributed to the audience.

My expertise in playing the drums is limited to Rock Band but must say that Josh Garza (Drums) was worth the price of admission as he throttled his drum kit with drum sticks that looked like miniature scale baseball bats. Brandon Curtis (Bass,Keyboards,Vocals) had an 8 string Hagstrom bass that sounded evil. It was so dark that couldn't see what effects he had over in his corner.

Phil had an assortment of guitars including a Fender Jazzmaster as he sliced out the guitar octaves for "Nowhere Again". The Secret Machines tend to stretch out their already epic songs into extended jams which can be good or bad depending if you like the particular song. "Have I Run Out" was one of the new songs they played that the audience seemed to be into as I noticed people rocking out behind me. "The Fire Is Waiting" morphed beyond a jam into opus territory as they stretched the song as tight as the elastic bands on stage. "Alone, Jealous, and Stoned" from their second album Ten Silver Drops garnered a number of howls from the appreciative fans. The closer was rightfully placed in the form of "First Wave Intact" as Josh was still pounding away with limitless energy. I would have attended Spaceland the next night if I hadn't already committed myself to seeing Helmet at the Viper Room.

Saturday, January 26, 2008

Black Rebel Motorcycle Club at the Key Club





Baby 81 was one of the top albums of 2007 and Black Rebel Motorcycle Club toured relentlessly in its support. I managed to catch a few of those shows at the House of Blues San Diego, Wiltern, Greek Theatre, Shoreline Amphitheatre and their video shoot for "Berlin" at Little Radio. The announcement of a few final shows to close the touring book on Baby 81 led me to immediately purchase tickets for their show at the Key Club.

The Key Club was beyond packed as I was unable to secure a decent vantage point on the floor which led me upstairs for a bird's eye view. Peter Hayes (Guitars/Vocals) came out with a lone Gibson acoustic guitar as he delicately strummed out the chords of the B-Side "Grind My Bones". Peter's guitar slidework was excellent as always giving the song an enhanced loose vibe that would linger for the duration of the night. Unfortunately, some of the upstairs patrons must have been drinking quite heavily as one audience member was yelling in between each song the same string of profanity laced encouragements. "Complicated Situation" highlighted Peter's guitar abilites mixed with some passionate harmonica playing. The full band joined Peter on stage to a large round of yells and howls from the crowd. Robert Levon Been (Bass/Vocals) triggered some feedback loops that decayed into the dark blues of "Shuffle Your Feet". The fuzz started to rain inside as much as it was pouring outside with the start of "Love Burns". I never get tired of hearing "Berlin" even after the fact that they played it twenty times at the video shoot. "Weapon Of Choice" accelerated the pace of the show and was another clinic in how to effectively play slide guitar. "All You Do Is Talk" had Peter reaching for his violin bow to use on his guitar to start the song. The harmonizing of vocals with Peter and Robert on "All You Do Is Talk" was memorable enough that I didn't have to write it down as a note. "666 Conducer" had a more organic loose vibe to the song with bursts of noise and feedback in all the right areas. "Six Barrel Shotgun" is one of my top five BRMC songs and was stretched out to a mini noise jam. Peter triggered his tremolo pedal to start off "Red Eyes and Tears" before Robert dived into the forboding bass line. "Sympathetic Noose" was played by Robert solo and was followed by the Bob Dylan cover "Visions of Johanna" instead of his other Bob Dylan cover "The Lonesome Death of Hattie Carroll". "American X" was epic as always with an extended feedback ending. Black Rebel Motorcycle Club convincingly closed out their set with a fierce version of "Spread Your Love" and "Whatever Happened To My Rock N Roll (Punk Song)". I hope they finish their new album quickly so they can go on tour again.

Black Rebel Motorcycle Club Setlist at the Key Club (1/24/08)
"Grind My Bones"
"Complicated Situation"
"Shuffle Your Feet"
"Love Burns"
"Berlin"
"Weapon Of Choice"
"Howl"
"All You Do Is Talk"
"666 Conducer"
"Six Barrel Shotgun"
"Red Eyes And Tears"
"Ain't No Easy Way"
"Promise"
"Sympathetic Noose"
"Visions Of Johanna"
"As Sure As The Sun"
"American X"
"Took Out A Loan"
"Killing The Light"
"Spread Your Love"
"Whatever Happened To My Rock N Roll (Punk Song)"