Wednesday, October 12, 2011

OMD at Club Nokia

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I missed quite a number of concerts during my medical hiatus. One of the shows that crushed me the most was the return of OMD at the Music Box in March. OMD is touring in support of their latest album The History of Modern is their first album with the original line up since 1986.

Washington
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Hailing from Australia and trying to break out stateside,Washington kicked off the evening by warming the crowd up with a batch of tunes. Their lead singer Megan Washington vocally reminded me of Gwen Stefani. Washington has a new release Insomnia in the works.

OMD
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Under the cover of a dimly lit stage, a slow wash of synthesizer pads circulated throughout Club Nokia as OMD took the stage for "Dazzle Ships". Firing up the Delorean back to 1980, "Stanlow" had Andy McClusky quip "doesn't every band open with a song about an oil refinery?". OMD surgically stacked their setlist and immediately ignited the audience with the chirping synthesizers of "Messages" as McClusky strapped on his Fender Jazz bass.

Seeing that that crowd was in the age range from late 30's to 50's, it was impressive to see most of the dance floor go absolutely nuts for "Tesla Girls". OMD never let up the whole evening by working through "She's Leaving" and "History of Modern (Part 1)". Paul Humphreys took center stage for "(Forever) Live and Die" which was bolstered with a saxophone solo by Martin Cooper.

Arguably one of their biggest hits "If You Leave" had McClusky reminisce about going to Paramount pictures and writing the song for "Pretty In Pink". Humphreys continued to display his timeless voice for "Souvenir" as the crowd enthusiastically clapped along. A double shot of "Joan of Arc" and "Maid of Orleans" sounded flawless and had McClusky interruptive dancing vigorously across the stage.

McClusky prefaced their new song "Green" as a fantastic before renenergizing the crowd by going down to the front rail to greet fans as he sang. The hits just kept coming as "Talking Loud" and "So In Love" had the crowd still moving their feet. "Locomotion" was recreated perfectly with its steel drum like synthesizers.

The digital cameras popped out en masse during "Dreaming". "Sailing on the Seven Seas" had another classic McClusky quip when he deadpanned "Even if you don't like it..it is a brilliant song". The classic synthesizer plinks of "Enola Gay" were rapturous had McClusky warn the crowd that they better not be tired.

OMD reemerged to kick off their encore of "Walking On the Milky Way". McClusky told the crowd that they got in trouble for not playing "Secret" back in March and I was glad they played it as it is one of my favorite songs from them.

McClusky took us down memory lane one more time stating he remembered playing "Electricity" at the Whisky A Go-Go nearly 31 years ago. If you own a synthesizer or enjoy dancing then do not miss OMD who are one of the most energetic and vital synthpop bands from the '80s.

Wednesday, September 14, 2011

Big Black Delta at the Satellite

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As a long time fan of Mellowdrone (circa 2006), it was intriguing to hear that lead singer and bassist Jonathan Bates had struck out on his own forming the dark synthesizer tinged Big Black Delta. The fact that this was the kick off of their free Monday night residency in September and had Sonoio on the bill made this a can't miss show.

Sonoio
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Surrounded by an outline of light bulbs and armed with a drool worthy Teenage Engineering OP-1 synthesizer, Alessandro Cortini of Sonoio challenged the Satellite soundsystem with crushing synthesizer bass lines and electronically sliced programmed drum beats as he raffled off songs from his outstanding new album Red.

It was evident that Alessandro was prepared for his upcoming opening slot for the Ladytron tour. His whole set was outstanding but some of the highlights were the pulsating beat of "Scientist", the vocoder effects of "Livid", and the flickering lights in rhythm of the roaring synthesizers of "Enough". Don't miss the opportunity to see Sonoio on 9/24 at the Wiltern opening for Ladytron.


Tennis System
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Two Fender Jaguar guitars created a vortex of churning sound that mimicked such bands as A Place To Bury Strangers and My Bloody Valentine. Tennis System filled in the guitar quotient of the evening with their deafening twin assault. While the vocals gasped for air as if you were drowning in a pool, the combination of drums, bass and guitars overwhelmed everyone in the room. Tennis System are touring behind their latest album Teenagers and are making a run on the East Coast before returning to Los Angeles for Filter's Culture Collide Festival on October 5th.


Big Black Delta
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While two female drummers were positioned on separate corners of the stage between a bass amp and a panel of LCD lights, Jonathan Bates was the center of attention. The bludgeoning electronic blasts of dark wave synthesizers culled from the era of Depeche Mode circa "Black Celebration" were hypnotic as they were synced with the flashing lights of the LCD panel.

Released on the outstanding local label Coming Home Records, Big Black Delta's debut album will be available on September 26th. Bates's ability to program synthesizers and electronic drums is impressive and was on display throughout the evening. "Capsize" washes over you with its synthesizers and Bates's processed vocals.

His cover of INXS "Never Tear Us Apart" was outstanding with an smashed 8-bit breakdown that could jumpstart your broken heart. Saving his best song for last, "Huggin' and Kissin'" was phenonmenal with its jackhammer repetitive driving beats and some of the best vocals that Bates has recorded. I can't endorse this residency enough and plan to see them again on September 26th at the Satellite.

Tuesday, September 13, 2011